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The stage and beyond
International conference on performing arts
FIB Unpad
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Humanity as a whole and on a global scale has had to reflect on how it would proceed in the wake of a pandemic that has lasted longer than it has expected and has tested its ability to adapt to and invent new ways of being and moving. Performing artists in efforts to literally and aesthetically survive has had to learn to deal with the limited availability of and accessibility to the stage. While in previous times indoor and outdoor stages as well as open public spaces have been readily available to offer their work to audiences, now they are forced to deal with isolation and mediation. They are prompted to work with the threat of not having an audience as well as the lack of liveness where they have no choice but to perform through digitally generated spaces. This may be understood as the necessity of having to be dependent on encoded texts, not as in previous times where scripts, notations, and treatments were used for the preparation of performances, but texts as performance itself and as the space in which these artists must perform.
This trajectory is of course nothing new. Artists and scholars in various disciplines of the humanities and performing arts have in recent decades looked into and worked on transmedia and interdisciplinary projects. However, in the last one and half years, it has become apparent for artists and scholars as well as social activists, that such projects and new ways of looking at performance have become increasingly urgent. Studies and creative work on everyday life have also contributed to the shift in the paradigm by which modern civilization may view what performance means, developing concepts of such social constructs as gender, sexuality, race, and class as performative.
Such conceptual divides with which we have for centuries been familiar as theory/practice, text/performance, and art/ordinary life are inevitably questioned. Therefore, the Faculty of Cultural Sciences at Universitas Padjadjaran, Indonesia finds it relevant and urgent to create a forum in which artists, scholars, activists, and other practitioners may share and exchange ideas as well as initiate collaborative projects in the form of an International Conference on Culture and Performing Arts focusing on the issue of performance, in the broadest sense of the word, on THE STAGE AND BEYOND.
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Scope and Aims
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This conference aims at providing a forum in which scholars, artists, activists, and other practitioners in various disciplines across the globe to share and exchange ideas on the general topics of
- Performing Arts
- Performance
- Performativity
by inviting them to present papers in the conference covering but not limited to the following:
- New Developments in Performing Arts (Dance, Theatre, Music, Film, Performance Art)
- New Media and Digital Technology in Music, Theatre, and Film
- Gender, Sexuality, and Performativity
- Music, Dance, Theatre and Film in Popular Culture
- Performance in Everyday Life
- Traditional Performing Arts in Contemporary Culture
- Literature and Performing Arts
- The Political Economy of Performing Arts
- Language and Performance
- Performance, Performativity, and Postcoloniality
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Speakers and Participants
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The conference will present three keynote speeches by
- Sarah Weiss, Ph.D. (University for Music and Performing Arts Graz, Germany)
- Rachmi Diyah Larasati, Ph.D. (University of Minnesota, USA)ree
- Dr. Reiza D. Dienaputra, M.Hum. (Universitas Padjadjaran, Indonesia)
Scholars, artists, activists, and other practitioners are invited to submit abstracts to be doubly blind-reviewed to be considered for presentation in the Parallel Sessions. Presenters may deliver their papers live online or provide the organizers with video recording of their presentation. The organizers does not publish proceedings for the papers presented in the conference, and the presenters are not required to submit their full papers. Presenters may deliver their papers in either English or Bahasa Indonesia.
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SCHEDULE
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The following tentative schedule will apply to potential presenters for the Parallel Sessions
Deadline for Abstract Submission : 18 October 2021
Announcement of Acceptance : 25 October 2021
Deadline for Full Papers and Video Recordings : 14 November 2021
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Time and Location
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The conference will be held online on Saturday, 20 November 2021 from 8:00 am to 9:00 pm Western Indonesian Time (UTC +7).
The tentative program for the conference is as follows.
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Time
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Activities
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Hall
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08:00-08:30
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Welcoming Address from Organizers
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Main Hall
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08:30-10:00
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First Keynote Speech: Prof. Rachmi Diyah Larasati, Ph.D. (University of Minnesota)
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10:00-10:30
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Short Break/Art Performance
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12:00-13:00
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Break
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13:00-14:30
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Parallel Sessions
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14:30-15:00
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Short Break/Art Performance
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15:00-16:30
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Parallel Sessions
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16:30-18:00
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Second Keynote Speech: Prof. Dr. Reiza D. Dienaputra, M.Hum. (Universitas Padjadjaran)
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18:00-18:30
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18:30-20:00
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Third Keynote Speech: Prof. Sarah Weiss, Ph.D. (Universität für Musik und darstellende Kunst Graz)
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20:00-21:00
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Closing and Art Performance
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Last Update: 24 September 2021
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Conference Fees
The registration fee for presenters and participants are as follows
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Indonesian scholars, activists, and artists
IDR 250.000
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International scholars, activists, and artists
USD 50
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Indonesian students and aspiring artists
IDR 50.000
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International students and aspiring artists
USD 15
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Payment , we accept
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Partners
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Get in Touch
Inquiries about the conference may be directed to the organizers at
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Contact
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fib.unpad.ac.id//conference
+6287822118131 (Ari J. Adipurwawidjana).
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